Authentic imagery for brands that want to be seen. From campaigns and editorial content to social media and brand communication, I create strong visual stories that bring your brand and its identity to life.

Chocolate Dippers

The photo of the chocolate and milk is a good example of just how much planning sometimes goes into a photo that ultimately looks very simple. With still life photography, you can work with much greater control than when photographing people; however, the lighting, timing, product placement, and—for example—the movement of the liquid all have to be just right. I particularly enjoy these kinds of shots because you can use light, color, and movement to take a product out of its normal context and present it in a more visually interesting way. We work with mood boards in advance and clarify the client’s wishes beforehand.

Louis Vuitton

Louis Vuitton/Events
These photos were taken at various events I photographed for Louis Vuitton at their store in Zurich. In productions like these, it’s especially important to me that, in addition to the actual program highlights, the atmosphere and the brand come through clearly. Especially with a brand like Louis Vuitton, I pay close attention to details, lighting, and staging, and I make sure the images look high-quality yet authentic. At the same time, you have to be very flexible when working at events, since many situations arise for only a few seconds and cannot be repeated. Additionally, you should always be as unobtrusive as possible at such events so you can capture authentic moments without disturbing anyone.

Ísey SKYR x FC Basel

The campaign for Ísey SKYR was created in collaboration with FC Basel players. The challenge here was to connect the product with the players’ personalities and produce content that would be effective as advertising while still coming across as relaxed and authentic. Especially with well-known personalities, time is often limited, which is why preparation and an efficient workflow are particularly important. In this case, the project was handled by an advertising agency that planned everything step by step to ensure that our time with the players was used as efficiently as possible.

ASICS

When shooting the images for the ASICS campaign, my focus wasn’t so much on creating a classic sports photo, but rather on a blend of sports, lifestyle, and fashion. What I enjoy about these kinds of shoots is not just capturing movement technically correctly, but using lighting, location, and expression to create a specific mood. This allows even very simple movements to appear vis

Successful collaboration

1664

For this shoot, the focus was more on a young, modern lifestyle and fashion aesthetic featuring several people. When it comes to group photos, I find it particularly exciting to create a composition that looks deliberately staged without the individual people getting lost in it. Posing, spacing, where people are looking, and small gestures all play a major role in this.

Service & Pricing

Every project is different. The following prices provide an approximate guide to help you understand the typical investment. The final price depends on the scope, production requirements, usage and individual needs of each project.

Commercial

From approx. CHF 3,500 / day

Commercial projects are individually quoted based on the scope of the production. A typical B2B project is around CHF 3,500 for one shooting day. Larger productions can be significantly higher, depending on the number of shooting days, team, retouching, production requirements and usage rights.

For larger campaigns, production budgets can also reach five figures.